Fahad Hamid

My video editing workflow begins by drafting a rough script with all target parameters and optimizing it via Gemini Pro until a polished final version is ready. I then convert this script into a structured five-column production table detailing script segments under four seconds, recommended visual content, asset types (real footage, stock, or AI-generated), and incoming and outgoing transitions or effects. After assembling the assets one by one into the editor, I evaluate the timeline as a cohesive whole to check narrative and visual flow. If any sections feel disjointed, I take those specific queries back to Gemini Pro for targeted revisions, repeating the cycle until the pacing is completely seamless.